Kim Brandstrup

Notable current/recent engagements: Billy Budd (Teatro Real, Madrid); Eugene Onegin (Metropolitan Opera); Rystet Spejl (Royal Danish Ballet); Jeux (New York City Ballet); Transfigured Night  (Rambert); Leda and the Swan film for the Deloitte Ignitte Festival, 2014 (Royal Ballet); Ceremony of Innocence (Royal Ballet/Aldeburgh Festival/DanceEast; revived for performances in Copenhagen and ROH 2014); Metamorphosis – Titian, co-choreographed with Wayne McGregor (Royal Ballet); Eidolon I and II, Ghosts (Royal Danish Ballet); Invitus, Invitam, Rushes, Goldberg (Royal Ballet); Medée (Théâtre des Champs-Élysées); Guillaume Tell (Netherlands Opera/Metropolitan Opera); The Fairy Queen (Glyndebourne, Paris, New York); Fall of the House of Usher, incorporating L’après midi and Jeux (Bregenz Festival); Pulcinella (Birmingham Royal Ballet); White Lead (Royal Swedish Ballet); Two Footnotes for Ashton (ROH2, Russia, New York, Bucharest); film with the Brothers Quay to celebrate the 400th anniversary of Monteverdi’s Orfeo; Theme and Inversion (White Christmas); Songs of a Wayfarer(Rambert, UK tours); Piano Tuner of Earthquakes (Brothers Quay film); Afsked (Out of Denmark, also Dance Umbrella Gala, London, Bucharest). Among many new pieces are Queen of Spades (Montreal); In Place of Stone (Norwegian Ballet); Sleeping Beauty (Royal New Zealand Ballet).

Direction/choreography: Seven Deadly Sins (Greek National Opera); The Hour They Knew Nothing of Each Other (Malmo). Forthcoming: Life is A Dream (Rambert); La traviata (Théâtre des Champs-Élysées).