Sarah Weltman

Sarah Weltman is Head of Sound & Video at ENO.

As sound designer, credits include: Merchant of Venice 1936 (West End, UK tour); Remembrance Monday (Seven Dials); Cinderella, Beauty & the Beast, Gaslight (Watford Palace); He Said She Said (Kiln), There is a Field, Blackout (Synergy Theatre Project); Macbeth (Shrewsbury); Kiss Me, Four Minutes Twelve Seconds (Trafalgar Studios 2, Hampstead Downstairs); Etienne Sisters, Crowning Glory (Stratford East Theatre Royal); The Full Monty (UK tour); The Life and Times of Fanny Hill, Swallows and Amazons, Wild Oats (Bristol Old Vic); Ring Cycle Cyclotrope, Deloiite Ignite (ROH, for Hampstead Theatre Downstairs); The Empty Quarter, Donny’s Brain, Wedding (Shoreditch); Next Thing You Know, A Winter’s Tale, The Hired Man (Landor Theatre); Benvenuto Cellini, Caligula, The Damnation of Faust, Idomeneo (ENO); for Synergy Theatre Project Girls Like That (Unicorn Theatre), Den of Thieves, Cape, Burning Bird, Glengarry Glen Ross and Convictions New Plays Festival (Soho Theatre); The Riots (Tricycle Theatre); Globe to Globe Season (Shakespeare’s Globe).

As associate sound designer: The Staircase (Southwark Playhouse); Consent (Harold Pinter Theatre, RNT transfer); Beginning (Ambassador’s Theatre, RNT transfer); Raz (Trafalgar Studios 2); Opening Skinner’s Box (Improbable); The Full Monty (original tour, West End); Inside Wagner’s Head (Plymouth Theatre Royal); Street Scene (Young Vic); One Flew Over The Cuckoo’s Nest (Garrick, UK tour).

Sound designer and Consultant System design and implementation at Sam Wanamaker Playhouse, Shakespeare’s Globe and York University Theatre, Film and Television facility.