Mary, Queen of Scots

Making its ENO premiere, in a co-production with San Francisco Opera, this modern retelling of Mary Queen of Scots still resonates today. With hostile forces on every side, Queen Mary I of Scotland attempts to secure a happy future for herself and her country.

One of Scotland’s most esteemed composers, Thea Musgrave delivers a thrilling score and director-designer Stewart Laing’s vivid, modern-dress production creates the perfect atmospheric frame for this captivating tale.

Book your tickets to experience the tumultuous reign, complex relationships and eventual downfall of this Scottish queen in the critically acclaimed opera Mary, Queen of Scots.

Story

Caught between her drunken husband, her scheming half-brother, and her untrustworthy lover, Mary I of Scotland must find a way to protect her country and her Catholic faith.

Each new conversation reveals a treacherous twist as she is betrayed or misled by those closest to her. Until finally a terrible miscalculation causes her to fall into the arms of her Protestant cousin, Elizabeth I.

Score

Thea Musgrave writes music and libretto that is as beautifully crafted for voices as for the drama. Her orchestral textures are deftly detailed, at times evoking 16th century Scotland.

This provides the backdrop for characters who are both musically as well as dramatically believable while cleverly building tension. As critic Harold Rosenthal notes, Musgrave’s music is both original and accessible.

Singers & Creatives

Conducting this modern masterpiece is Joana Carniero, who makes a welcome ENO return after she conducted The Handmaid’s Tale in 2022 and 2024.

Soprano Heidi Stober will bring Musgrave’s radiant melodies to life on stage as Queen Mary. She will be joined by two former ENO Harewood Artists Alex Otterburn as James Stewart, Earl of Moray and John Findon as James Hepburn, Earl of Bothwell. Also making a welcome return is bass Alastair Miles as Lord Gordon.

Libretto by Thea Musgrave based on Amalia Elguera’s play Moray.

Production supported by Cockayne – Grants for the Arts, The English National Opera Trust, The Boltini Trust, Vaughan Williams Foundation, and Marian & Gordon Pell.